I have a complete set of the large format New Worlds – #173 to #200, which were published from 1967 to 1971, so I was particularly interested to see a book about the magazine and its art.
Michael Moorcock took over editorship of the science fiction magazine New Worlds in 1964, and began changing it from a genre SF magazine to a ‘new wave’ magazine of “speculative fiction.” In 1967, Moorcock obtained a modest Arts Council grant that enabled him to change the format from a paperback to a monthly magazine with half-tone reproduction.
Both Michael Moorcock and leading contributor JG Ballard knew Paolozzi personally, and were interested in modern art, as were other people who worked on the magazine. The purpose of changing to a larger format was to include art that complemented the radical fiction content of the magazine. Paolozzi’s science-fiction tinged art was thought to mesh with this. In the event, very little of Paolozzi’s art appeared in the pages of New Worlds (there was a review article about his work in #174, and an illustration in #178), but he was listed as ‘Aeronautics Adviser’ and was clearly an influence.
David Brittain’s book examines the magazine during it’s prime period, throwing light on the interactions of the art of the time with what Judith Merril and Harlan Ellison called ‘the new wave of science fiction.’
It places Paolozzi’s ‘science fiction’ art of the late ’60s in the context of the new SF and offers fresh insights into the way images and a fragmentary, collages approach to writing informed the controversial prose of Ballard, Moorcock, Brian Aldiss, Norman Spinrad and others.
The book contains rare and unseen images from the archives of New Worlds and the Eduardo Paolozzi Foundation, together with excerpts from what is thought to be an unpublished science fiction novel by the artist. There are also new interviews (by Brittain) with Moorcock and key members of his circle about the magazine and others.
The book contains many illustrations in monochrome and colour, including many colour images from Paolozzi’s ‘Moonstrips Empire News’, and most of the New Worlds covers from this period. Footnotes and bibliography are included. David Brittain is a senior lecturer at Manchester Metropolitan University.
If you are interested in Paolozzi’s science-fiction inspired art and his influence on the magazine, or merely in this exciting period of the magazine’s history, this is a book well worth acquiring.